In Ridley Scott’s Alien, about half of the movie is spent going through the mundane lives of the Nostromo crew. You don’t see the titular alien, but you know it’s coming — the movie is called Alien, after all. The tension builds and builds, giving you glimpses and teases of what is to come, but always holding back for the big reveal later on. In James Cameron’s Aliens, the same rules apply. But this time the xenomorphs are on full alert and barrage the marines every chance they get. Alien: Isolation, from Creative Assembly, captures that same sense of dread and tension building from Alien and the relentless assault of Aliens. It is a terrific horror game that starts off too slowly before becoming one of the most terrifying video games I have ever played. [Read more...]
Ashgam the Ruinous raised his sword above his head as I laid on my knees before him. He wore a large steel helmet with four horns protruding out the sides. We fought for only a few moments before he took me down — I was filled with rage. Ashgam froze for a moment and lowered his sword before looming over my head and saying, “Too easy,” before sauntering away as his minions finished me off. Next time I would have my revenge. [Read more...]
The first thing you see upon starting The Vanishing of Ethan Carter is a quote: “This game is a narrative experience that does not hold your hand.” It’s a bold, self-confident statement, and it’s emblematic of the game itself; there’s a refreshing degree of trust given to the player in Ethan Carter, especially compared to many other adventure games of the modern age. The decision also manages to avoid unnecessary frustration due to Ethan Carter‘s relatively limited interactivity. It also serves as a bit of a snobbish remark, one of the few indications The Astronauts give that links them to their past work at People Can Fly (a studio known for it’s gonzo, high-intensity shooters Painkiller and Bulletstorm). The quote is an almost comical juxtaposition of “hardcore-gamer” sensibilities, for a game that shares a lot in common with so-called walking simulators, but Ethan Carter proves itself with its extremely effective use of world-building.
At the heart of Turtle Sandbox’s Cannon Brawl is, well, a ton of heart. This 2D action-strategy hybrid employs just as much charm as it does deep, strategic, fast-paced gameplay. Cannon Brawl mashes together concepts from Worms and StarCraft and manages to create something entirely unique on its own. [Read more...]
*Major spoilers follow for season 2 of The Walking Dead. Some of these spoilers are playthrough-specific.* [Read more...]
It’s been a long time coming, but we finally have new information on the new Doom game from id Software, now formally titled Doom. I attended QuakeCon in Dallas, Texas and saw the first public footage of the game, tailor-made for fans of the series. They didn’t allow any kind of photography or video, but at least allow me to paint you a word picture.
“There are plenty of targets worthy of a bullet; men who need to die. Time for find more work.”
The final lines of Rebellion’s newest release resemble an apt view of the game as a whole. It is a power fantasy of the highest order; a hyper violent, marginally fun trek through orange and brown landscapes of Africa, looking for Nazis to kill. There are plenty of targets for you to shoot; plenty of men who die by your hand. But, Sniper Elite 3 is a one-note gimmick that will leave you longing for different work. [Read more...]